Celebrity Net Worth 2018

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Kirk Douglas Net Worth Income Profile and Salary

Kirk Douglas Net Worth Income Profile and Salary. American film actor, one of the mythical names of classical Hollywood melodrama. The gangster’s son, as is often presented with pride, made his Broadway debut in 1941, but after playing small roles he enlisted in the military to fight in World War II. In 1945 returned to Broadway with short papers, and worked in the radio, before happening to the cinema the following year, already with the stage name of Kirk Douglas. In 1949 he was consecrated as a front-line star with the convincing interpretation of an unscrupulous boxer who made his way to the top in The Mud Idol. He was the type of personage that would interpret better in the following films: arrogant, egoistic, passionate, strong and egocentric. He was nominated for an Oscar for The Mud Idol, Cautivos del Mal and El Loco del pelo rojo. In 1955 he founded his production company, with which he produced both his films and those of others, and in the early 70’s, while still playing leading roles, embarked on the film direction.




Born in a humble family of emigrants, Kirk Douglas studied at St. Lawrence University between 1935 and 1939. After graduating in Arts, he entered the Academy of Dramatic Arts, where he studied acting for two years. In 1943 he married for the first time with Diana Hill, of which he divorced in 1951 and with whom he had two children: Joel and also actor and producer Michael. While attending acting classes, he began his career as an amateur actor in New York and Pennsylvania and as a theater teacher at the House Settlement in Greenwich.


In 1941 it made debut in Broadway with the work Spring Again. Between its first works in the theater stands the titled The Three Sisters, in which appears under the pseudonym of George Spelvin Jr. During the Second World War enlisted in the navy and reached to the degree of lieutenant, and was at the end the Conflict when she made her film debut, giving life to the bitter husband of Barbara Stanwyck in the melodrama directed by Lewis Milestone The Strange Love of Martha Ivers (1946).


His second role on the big screen came in Jacques Tourneur’s Return to the Past (1947). That same year he signed a five-year contract with independent producer Hal B. Wallis, but only broke it a year later. In The Idol of Mud (1949), by Mark Robson, had his first starring role, with which he released his vigorous physique and the characteristic dimple of his chin. He played a boxer whose character fit perfectly the characteristics of his cinematic personality: ambitious, fighter and without too many scruples. With this film he got his first Oscar nomination.


After signing an exclusive contract for Warner Brothers, he starred in a series of films that consolidated his position in stardom, such as Young man with a horn (1950), cinematographic biography of jazz trumpeter Bix Beiderbecke directed by Michael Curtiz and in which Douglas shared a poster with Lauren Bacall and Doris Day. One of his first great characters was that of journalist Chuck Tatum in Billy Wilder’s The Great Carnival (1951), which delayed the rescue of a man buried in a cave to get his great report and regain lost prestige.




In Captives of Evil (1952) by Vincente Minnelli, he added a touch of sophistication to the line of his hard and inflexible characters, in a role for which he obtained his second Oscar nomination; Played film producer Jonathan Shields, who manipulated and nearly destroyed the lives of his closest collaborators – his director, writer and star, played by Lana Turner – to achieve the best artistic results.


Minnelli became one of the fundamental directors of his career: both returned to collaborate in the red hair madman (1956), biography of the painter Vincent Van Gogh by which Douglas, in one of his great interpretations, obtained his third nomination to the Oscar, as well as the New York Critics’ Award. Anthony Quinn accompanied him playing his friend, the painter Paul Gauguin. Two weeks in another city (1962) was the third and last of the collaborations of the director and the star. Set in the world of cinema, Douglas gives extraordinary life to a declining actor desperately struggling for a last chance.


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