Jeff Koons Net Worth Income Profile and Salary. (Jeffrey Koons, York, Pennsylvania, 1955) American artist, one of the most quoted and also most controversial living authors. Over the years his creations, initially kitsch, have led to monumentalism, as in the case of Puppy, the giant dog that presides over the entrance of the Guggenheim Museum Bilbao.
Jeff Koons graduated from the School of the Art Institute of Chicago (SAIC) and graduated in fine arts from the Maryland Institute of Art (MICA) in Baltimore in 1976. That same year he moved to New York where he paid production Of his first creations as a stockbroker on Wall Street. Koons’ ability in stock and commercial transactions would also be transferred to the art world as he acted as a partner picker for the Museum of Modern Art (MoMA) in New York, with great success. This experience was going to be decisive in his later artistic career, marked by a clear mercantilist vision.
That same year he moved to New York where he paid production Of his first creations as a stockbroker on Wall Street. Koons’ ability in stock and commercial transactions would also be transferred to the art world as he acted as a partner picker for the Museum of Modern Art (MoMA) in New York, with great success. This experience was going to be decisive in his later artistic career, marked by a clear mercantilist vision.
His work began in 1979 with the series “Inflatables”, vinyl objects (mostly flowers) placed between mirrors, which already showed the intention of the author to combine the object represented with the environment and the reflections that appeared in it. The taste for kitsch and the use of everyday objects and motifs in his pieces would make Koons a transgressor for some and an impostor for others: a controversial figure that would arouse throughout his career hatreds and passions, but would not let To anybody indifferent.
In the early 1980s, Koons would perform the series “Prenew” and “The New”, which included coffee machines, vacuum cleaners, radiators and other utensils present in most homes. In “The New”, vacuum cleaners, alone or in groups, were combined in every way possible in plexiglass display cases with fluorescent tubes. In 1984 he presented some of his works in the New York gallery International with Monuments; The experts then ascribed it to the Neo-Geo movement (Neo-Geometric Conceptualism), which would include disparate figures such as Haim Steinbach and Meyer Vaism.
Its fame grew while its production diversified, both in the subjects treated as in the techniques and materials used. In his series “Equilibrium”, he made bronze sculptures of sports objects such as basketballs, which also became sculptural motifs (taking over from vacuum cleaners) in creations that simulated fishbowls, as the balls appeared inside medium glass urns Filled with water. At the same time, it began its close relationship with the world of advertising and marketing with a series of ads related also to the world of basketball, carried out by famous players but also by anonymous fans.
The commercial side continued with the series “Luxury & Degradation”, in which it put its creativity to the service of well-known brands of alcoholic drinks, one of which made a series of small sculptures in stainless steel. This material would also predominate in his next series, “Statuary”, in which he combined classic motifs (Bust of King Louis XIV) with modern designs, like his famous Rabbit. “Banality” would suppose at the end of the decade a radicalization of the taste for the kitsch, that would arrive at its highest heights in this series. Porcelain, glass, polychrome wood and other materials served to represent all kinds of objects and motifs. To this series corresponds the porcelain representation of the singer Michael Jackson with his mascot, Michael Jackson and Bubbles (1988).
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In the late 1980s, Koons began a love affair with Italian porn actress Illona Staler, Cicciolina, who would preside over his next series, “Made in Heaven”: glass sculptures, plastic figures, oils, lithographs and photographs represent The two lovers in all sorts of loving positions, without avoiding an obvious pornographic character. Koons and Cicciolina were married in 1991, and in 1992 their son Ludwig was born, but the marriage broke shortly after, resulting in legal litigation for custody of the child in the following years. After separation, the motifs of the series were replaced by dogs, cats and flowers, with a potentiation of bad taste or cursi and recharged according to the interpretations.
The relationship with Cicciolina and the scandal of his rupture affected the artistic prestige of Koons, who in the nineties lived his worst time, although one of his best-known works dates back to 1992. Puppy, a representation of a giant dog over Twelve meters high covered with flowers, was created for an art exhibition in Arolsen (Germany) and was also seen in Sydney and New York, before moving to the Guggenheim Museum Bilbao, where he presides over the entrance permanently.
From Puppy, the work of Koons would show more and more a tendency toward monumentalism. “Celebration” began with oils on canvas representing animals and various objects on metallic backgrounds, an idea that would give way in the same series to the first giant sculptures of stainless steel, such as Balloon Dog, Hanging Heart or Balloon Flower, conceived as objects-globe in whose metallic surface the images were reflected. “Elephant”, a stainless steel elephant, and “Split Rocker”, another Puppy flowered dog and installed in the Palace of the Popes of Avignon (France) since 2000, were continuist series in regard to the taste for the great Dimensions of the works.
Two works by Jeff Koons: Hanging Heart
And Balloon Flower
The turn of the century would mark the recovery of Koons’ cache, which in his next series “Easyfun”, “Easyfun-Ethernal”, “Popeye” and “Hulk Elvis” combined painting, sculpture and everyday elements such as floats and inflatable children . The works would arouse the suspicion of many fans, but they were sold at ever higher prices.
Jeff Koons is so well known for his controversial works as for his great ability to make them known and get them revalued continuously. He did not hesitate to be one of the first artists to hire an image consultant and start marketing campaigns, which included ads with a full-page picture of him in major art magazines. The commerciality of his art is based on a large team of collaborators, about thirty people (researchers, engineers, architects, managers or managers) with which he carries out an industrial production of art in which not necessarily the artist is The material author of the work that will bear his name. This collective sense in artistic creation, somehow, reflects the tradition of Andy Warhol’s famous studio, known as The Factory.
In November 2007, this whole strategy culminated in making Koons the most expensive living artist: Hanging Heart, a work for which seven years earlier had been paid 700,000 euros, was sold for 15 million euros. The British painter Lucian Freud would break that record in May 2008 with the 21.7 million euros paid for his work Benefits Supervisor Sleeping. A month later, Koons’ Balloon Flower (Magenta) reached € 16.3 million, a record for the artist.
Net Worth of Jeff Koons
The Net Worth of Jeff Koons in 2017 $110 Million
|Full Name||Jeff Koons|
|Annual Income||$5 Million|
Koons holds an honorary doctorate from the Corcoran College of Art & Design in Washington, DC His works have been exhibited in museums all over the world, and are part of public collections such as the Museum of Modern Art (MoMA) in New York, Whitney Museum of American Art and the Guggenheim Museum, also in New York, the National Gallery and the Hirshhorn Museum in Washington, the San Francisco Museum of Modern Art (SFMoMA), the Tate Gallery in London, the Stedelijk Museum in Amsterdam or Tokyo Metropolitan Museum.
In September 2008 the first retrospective dedicated to the artist in Europe was inaugurated in the gardens of the palace of Versailles. To its climb to the top of the market and its “take” of Versailles must be added the samples that took place in parallel on the terrace of the New York Metropolitan (a dog sausage, a heart and a Winnie The Pooh), in the Museum of Contemporary Art Chicago and the Neue Nationalgalerie in Berlin.