Chinua Achebe Net Worth Income profile and Salary. Chinua Achebe is a novelist and writer in the English language, an ethnic group of the Ibero-American culture. He is a member of the first generation of educated African intellectuals in his homeland. His work describes the irruption of Western customs and values in traditional African culture, as well as the conflicts of postcolonial society.
His father, a member of the Ibo ethnic group, was a teacher in a missionary school, and although he tried to inculcate some of the values of the culture to which he belonged, he was also a Protestant devotee and therefore baptized him with a Christian name. However, during his years at the University, Achebe renounced his English name and adopted the indigenous name by which he has since been known. In the same way, his work was not reduced to the simple imitation of European literature, but it advanced towards the creation of new literary forms from the own English language. The result was an English-speaking African-American, as well as a mixture of the real and the magical.
Net Worth of Chinua Achebe
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At the University of Ibadan he studied Medicine first and then Literature, and later went on to work on Nigerian radio, where he made a career. With W. Soyinka, J. P. Clark, A. Tutuola, E. Mphahlele and other contemporaries, he founded the famous “Mbari Club”, which became a place of lively cultural debate and the publishing house of the same name. He founded and directed the “African Writers” collection of the London publisher Heinemann, who hosted the largest African literary works in English, and also directed Okike magazine.
During the civil war of Biafra it was aligned next to its town, that is, in favor of Biafra; He came out of that terrible experience, and from then on he wrote nothing again. He spent several periods, some of them extended, abroad, at the University of Massachusetts and in Connecticut. He taught literature at the University of Ibadan and at the University of Nsukka.
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Achebe is not only one of the founders of the Nigerian literary revival (which took place after the 1950s), but one of the best writers in English and the best known and most widely read English-speaking African novelists. Narrator of strong inventive vein, creator of a style wisely articulated on the languages, the proverbs and the rhythms of the oral tradition ibo, it examined the past of his town and represented it incarnating it in a clan and in its history, that develops in the Vast fan of an epic-satirical trilogy.
In 1958 appeared the first volume of the trilogy, Everything Fall Apart, which begins at a time when whites had not yet arrived in the interior of the country. The novel is structured around the personal tragedy of the hero, the warrior Okonkwo, who, due to a series of unfortunate coincidences and fatal errors, destroys his own existence and ends up committing suicide.
Parallel to the vicissitudes of Okonkwo and intertwined with them is the history of the town of Umuofia, with its conflicts and its problems, its rites and celebrations, its wars and festivals, and finally its confrontation with the white man: missionary, Soldier or administrator. Okonkwo collapses, but Umuofia also sinks.
The second volume in order of reading is Arrow of God (1964), although the third one was published. Here the white man has already established himself in the region, where he is organizing a parallel government; The implementation of this political strategy coincides with the personal crisis of the high priest Ezeulu with the village, and the result of all this is disastrous: English and Africans are not understood, the village is tragically worsened personal revenge and Ezeulu becomes crazy.
In the third and final part of the trilogy, No Longer at Ease (1960), the protagonist, Obi, grandson of the old Okonkwo, lives in modern Lagos, can not resist pressure and corruption, and Is ruined The circle has been closed. All phases of Nigerian history are shown according to their way of being, with their fragility and their weaknesses, but also with their cultural characteristics. With this trilogy, Achebe returned a past to the memory of his people, celebrating a rite but also unfolding that didactic action that, in his opinion, is part of the duty of the writer.
In his first three novels, Achebe added a fourth, A Man of the People (1966), bitter satire of contemporary Nigeria, corruption of its rulers and the inability of its citizens. Among his works is a volume of poems, Soul Brother, (1971), the collection of stories Girls at War (1972) and a series of essays under the title Morning Yet on Creation Day (1975).
Its influence on several generations of African readers has been enormous, as it has given them the first great classic of their autochthonous tradition: a work that appeared at the crucial moment of the birth of